• G. E. Lessing. Laocoon: An Essay on the Limits of Poetry and Painting, E. McCormick, trans. (Johns Hopkins, 1984)
• L. Marin. To Destroy Painting, M. Hjort, trans. (Chicago, 1994)
• O. Wilde. The Picture of Dorian Gray (Modern Library, 1998)
• R. Barthes. Camera Lucida: Reflections on Photography, R. Howard, trans. (Hill & Wang, 1982)
• W. G. Sebald. Austerlitz, A. Bell, trans. (Modern Library, 2002)
Lessing, Laocoon, chap. 1 – 15
Laocoon, chap. 16 – 29Genesis, 1 – 2*
Plato, “The Allegory of the Cave” (Republic 7.514a-521b)*
Philo of Alexandria, De opificio mundi (excerpt)*
Plotinus, Enneads, 5.8.6*
Porphyry, Against the Christians (excerpt)*
Tertullian, On Idolatry (excerpt)*
John of Damascus, On Divine Images (excerpt)*
Examples of Byzantine Iconography:
• The “Paris Gregory”
• The “Theodore Psalter”Calvin, Institutes of the Christian Religion (excerpt)*
M. Gheerhaerts, Allegory of Iconoclasm*
Horapollo, Hieroglyphica (excerpts)*
Alciato, Emblematum liber (excerpts)*
M. Scève, Délie (excerpts)*
H. Peacham, Minerva Britanna (excerpts)*
M. Maier, Atalanta fugiens (excerpt)*
C. Ripa, Iconologia (excerpts)*
W. Benjamin, Origin of German Trauerspiel (excerpt)*
C. Buci-Glucksmann, Baroque Reason (excerpt)*
L. Marin, To Destroy Painting
O. Wilde, The Picture of Dorian Gray
E. Cassirer, Philosophy of Symbolic Forms (excerpts)*
A. Warburg, Mnemosyne-Atlas (selections)*
E. Panofsky, Idea (excerpt)*
J. Lacan, “The Mirror Stage”*
R. Barthes, Camera Lucida
W. G. Sebald, Austerlitz*